Mark enjoys both short-form and long-form editing.  He has worked on branded content and music as well as many other short-form genres which he excels in. This experience has given him a creative edge to the longform documentary projects he now specialises in.  Previously in-house editor at Vice, Mark has a wealth of experience editing current affairs, investigative and observational documentary.  In addition to being highly creative, Mark is technically brilliant, intuitive, enthusiastic and not afraid to put the hours and energy in to make a project the best he can.