Editors: Dan Knight and Dave Berezai
Hungry Bear for ITV
Actor Bradley Walsh and his 20-year-old son Barney are hitting the road together for a brand-new four-part series, travelling over 2000 miles from Los Angeles to New Orleans. They might be father and son but when it comes to travelling they are worlds apart, with Bradley keen to relax while Barney wants to live life a little more on the edge. Worried his old man is too stuck in his ways, Barney has decided to take matters into his own hands with an adventurous trip that his dad will never forget.
Dave Berezai edited episode 1. He said “It was great to work on an ITV prime-time show with all those at Hungrybear. Brad provided real moments of comedy and the situations he found himself in created genuine drama. It was great fun putting it all together and crafting the show”.
Dan Knight edited episodes 2 (Arizona) and 3 (Texas). He said “The team were great, especially series director Phil Ashton.The biggest challenge was finding the nuggets of reality when the talent let their guard down. They had very clear ideas of what the show should be, but the best moments came when they were just being themselves. Bradley is a big character and will always give great material but it’s fun to find the real moments of terror and joy when their guard slips, like the Skydiving or the cowboy college. Then to build that into something that feels really special”
Episode 3 ‘Texas’ is aired tonight 8pm ITV
Fulwell 73 for Netflix
Executive producers are Leo Pearlman and Ben Turner.
Lem Lawrence– Online using Flame
Post Production Facility: Halo
Commissioned by Netflix, Sunderland Till I Die is an
eight-part series produced by James Corden’s production company Fulwell 73. The
behind the scenes documentary looks at the town’s passion for the club,
following the team during their first season in the Championship after a
painful relegation from the Premier League under former Manchester United
manager David Moyes in the 2016/17 season.
Lem Lawrence who worked on the series said “It was different for me working on longform, I really enjoyed it, althoughparticularly at the start, there was a lot of keeping track of the graphics(There was a whole heap of graphics on this series). Also I had to devise a wayto create end credit graphics and looks that were consistent with what wasbeing produced by the graphics company for different sections (For example,mobile phone footage, newspaper headlines, end credits etc), that would then befed across all the episodes that I wasn’t able to work on, due to other workcommitments. This meant I had to make these parts in a way that a freelancerwould be able to come in and easily be able to replicate in their episodes. Ifound it really interesting finding out what really goes on inside a footballclub, lots of parts I had never even considered”.
A press release from Fulwell73 said of the documentary: “In
the era of multi-million dollar sponsorship deals and transfers, where the
stakes have never been higher or the rivalries more fierce, this brand new
Netflix original series sets at its heart the unfailing passion of this UK
Northern town for its beloved football club”
Sunderland ’Til IDie is available on Netflix from Friday 14 December